Hi! I'm Maxine Kaplan and I'm a writer who is also a genre magpie. My favorite thing to do as a writer is to take a background character, or non-playable characters in gamer-speak, and make them real. What’s an archetype? It’s a type. A character described by their occupation—the princess; the femme fatale; the tavern wench (ahem)—basically the tropey background players that nobody feels the need to unpack as idiosyncratic individuals, with vibrant inner lives. This list is full of books that do this sooooo well.
Tanya has worked at her tavern since she was able to see over the bar. She broke up her first fight at 11. By the time she was a teenager she knew everything about the place, and she could run it with her eyes closed. She’d never let anyone—whether it be a drunkard or a captain of the queen’s guard—take advantage of her. But when her guardian dies, she might lose it all: the bar, her home, her purpose in life. So she heads out on a quest to petition the queen to keep the tavern in her name—dodging unscrupulous guards, a band of thieves, and a powerful, enchanted feather that seems drawn to her. Fast-paced, magical, and unapologetically feminist, Wench is epic fantasy like you’ve never seen it before.
The second I read about Hench, I knew it was the book of my dreams. Henchis about Anna, a floating temp doing back-office admin work for criminals and, eventually, supervillains. I mean, come on: ‘nuff said. But this book delivers far beyond its (absolutely delicious) premise and ends up being a meditation on the power of data, and its analysis and manipulation, in shaping our views about good vs. evil, and the radicalization of bored millennials. It’s also really funny. It’s great.
"This book is fast, furious, compelling, and angry as hell." -Seanan McGuire, New York Times bestselling author
The Boys meets My Year of Rest and Relaxation in this smart, imaginative, and evocative novel of love, betrayal, revenge, and redemption, told with razor-sharp wit and affection, in which a young woman discovers the greatest superpower-for good or ill-is a properly executed spreadsheet.
Includes a bonus story for the paperback.
Anna does boring things for terrible people because even criminals need office help and she needs a job. Working for a monster lurking beneath the surface of the world isn't glamorous. But…
This is where I add my voice to the vast Internet chorus singing the praises of Gideon the Ninth, a/k/a “Lesbian Necromancers in Space.” The hype is not overblown. The read is not homework. The writing is luscious, delirious, and sharp. The world-building will blow your mind. But the reason I’m including it on this list is the characters. The (large) cast is populated by distinct Types ™ that will be familiar to any gamer or regular reader of fantasy/sci-fi/horror. They are decked out in pre-determined, class-based aesthetics. They are warriors and scholars, and that is it. But Muir peels back the layers of these roles in the most unexpected ways, revealing the truly weird people underneath, and their truly weird motivations and relationships. This one will stay with you.
15+ pages of new, original content, including a glossary of terms, in-universe writings, and more!
A USA Today Best-Selling Novel!
"Unlike anything I've ever read. " --V.E. Schwab
"Lesbian necromancers explore a haunted gothic palace in space!" --Charles Stross
"Brilliantly original, messy and weird straight through." --NPR
The Emperor needs necromancers.
The Ninth Necromancer needs a swordswoman.
Gideon has a sword, some dirty magazines, and no more time for undead nonsense.
Tamsyn Muir's Gideon the Ninth, first in The Locked Tomb Trilogy, unveils a solar system of swordplay, cut-throat politics, and lesbian necromancers. Her characters leap off the page, as…
This one is personal to me. I found this book when I was 8 and fell in love. Like: I have a tattoo from this book. And, yes, it’s about a princess, the very antithesis of a background player, but hear me out.
The Ordinary Princess takes place in a fantasy world that exists in conversation with the classical Western notion of fairy tales and fairy tale princesses. Except in this one, the evil fairy at the christening gifts the newly born, perfectly princess Amethyst (later called Amy) not with a death sentence, but the proclamation: You shall be ordinary. The twist? Amy loves being ordinary. Wants to be ordinary. Fights for the right to be ordinary, to be herself. It is deceptively moving and lives deep within my soul.
This book combines a lot of potentially tired gothic signifiers into one slim package. You’ve got the tortured ghost of the young mother. The scarred young shut-in nearing spinsterhood. The domineering aunt tasked with marrying her off. The cold and distant father just as eager to unload her. However, none of these tropes go where you expect them to go. Iseult Wince, the titular unsuitable young woman, has an inner life and motivations that are deeply weird—borderline horrifying, but most importantly, weird, and all her own. Spinsterhood is the least of her problems.
Molly Pohlig's The Unsuitable is a fierce blend of Gothic ghost story and Victorian novel of manners that’s also pitch perfect for our current cultural moment.
Iseult Wince is a Victorian woman perilously close to spinsterhood whose distinctly unpleasant father is trying to marry her off. She is awkward, plain, and most pertinently, believes that her mother, who died in childbirth, lives in the scar on her neck.
Iseult’s father parades a host of unsuitable candidates before her, the majority of whom Iseult wastes no time frightening away. When at last her father finds a suitor desperate enough to take…
I’d be remiss if I didn’t include this YA by the incomparable Patrick Ness. Turning the contemporary Chosen One trope on its head, The Rest of Us Just Live Here is about Mikey, just a normal kid—in a high school beset with the occasional, say, zombie problem that the other, more special kids have to take out. It’s both a classic of the genre while also lovingly parodying it. It will make you feel seen. Read it.
Award-winning writer Patrick Ness's bold and irreverent novel powerfully reminds us that there are many different types of remarkable.
Award-winning writer Patrick Ness's bold and irreverent novel powerfully asks what if you weren't the Chosen One? The one who's supposed to fight the zombies, or the soul-eating ghosts, or whatever this new thing is, with the blue lights and the death? What if you were like Mikey? Who just wants to graduate and go to prom and maybe finally work up the courage to ask Henna out before someone goes and blows up the high school. Again. Because sometimes there…
I write historical crime fiction, and my latest novel is set in a hospital, a real place, now closed. The South London Hospital for Women and Children (1912–1985) was set up by pioneering suffragists and women surgeons Maud Chadburn and Eleanor Davies-Colley (the first woman admitted to the Royal College of Surgeons) and I recreate the now almost-forgotten hospital in my book. Events take place in 1946 when wartime trauma still impacts upon a society exhausted by conflict, and my book choices also reflect this.
A historical thriller set in south London just after World War II, as Britain returns to civilian life and the men return home from the fight, causing the women to leave their wartime roles. The South London Hospital for Women and Children is a hospital, (based on a real place) run by women for women and must make adjustments of its own. As austerity bites, the coldest Winter then on record makes life grim. Then a young nurse goes missing.
Days later, her body is found behind a locked door, and two women from the hospital, unimpressed by the police response, decide to investigate. Highly atmospheric and evocative of a distinct period and place.
One cold dark night, as a devastated London shivers through the transition to post-war life, a young nurse goes missing from the South London Hospital for Women & Children. Her body is discovered hours later behind a locked door.
Two women from the hospital join forces to investigate the case. Determined not to return to the futures laid out for them before the war, the unlikely sleuths must face their own demons and dilemmas as they pursue - The Midnight Man.
‘A mystery that evokes the period – and a recovering London – in…
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